BEATEN BY HIPPIES!

The hippies were free and this time we abandoned the peaceful way! Dreams are tested, dreams die, and now they are trembling with anger and preparing to convey naked truth to the world. No, this is neither a doom metal nor a sludge metal, but a groovy psychedelic band (of course, of course, musically) drops beats and adds truth and aggression to peace and love. is.

Get ready to be beaten by hippies!

"And we don't have the right to be wrong, you don't know what you're wrong or right."

Aside from the simple reason that happens, this game has a really interesting musical idea. For example, a delicate staccato collection like ice attached to the lyrics of "Blue Rose". This is exactly the necessary experiment for the stepped on. Not only the heavy metal Godfather was catastrophic, but also reminiscent that the stone was thrown (that's why these two su b-genres are very compatible).

An unusual rhythm gives this song "Rock'n'roll", which makes me synchronize this song again. Otherwise, it would be a wel l-made, no soul without soul. Here is a real persuasive power. A powerful vocal completes this special anthem, and even a tired soul like me wants to sing together.

If helmet and truck fighters form a wild trio in Europe and have produced a lot of Belgian people, you may feel the diversity of the style of Beaten by Hippies. It's like adding a heneri to Stone Rock. To be honest, recent heavy psychedelic is too sweet and too raw. It's time to swing back.

The band's sel f-title ful l-length debut, "Beaten by Hippies" (2019) will be released on Wednesday, May 15th (here). This is the Primo of Next Wave Stoner Rock, and DOOMED & Amp; StoneD will offer its first audition.

A spoon from the 90's music was a fou r-member Belgian, and was born in the first Stoner Wave era. Polish their skills and mix magic drugs. Everyone brings their ingredients. The liveliness of the 60's and 70's, Grams of the 80's, and Guilty Pleasure.

The first album proves that they have something more than they look. Leather pants are not bad either. Velvet Heels Please listen to the intensity of "," Space Tail "," TOMAHAWK ". Songs like" Blue Rose will be surprising, "Beaten by Hippies" gives meaning to their names. But I want to hear more!

I would like you to enjoy a festival where this wild and powerful live unit is developed with the energy that springs up from the audience. Enjoy!

Blame in Peru and throws stones

Speaking of Peru's music scene? Heavy Music Underground, one of the most sound and most diverse scenes, has a fine rock tradition dating back to the early 1960s, has created infinite joy and excitement for many years.

From the beginning of Talkas and Pax to the recent music groups that focus on today's trends, the history of changing the recognized genealogy into vast music Odyssey has been around for decades. Based on that, please enjoy the latest scene collection "Descended & amp; Amp; AMP; STONED in PERU" (2019)!

-Paul Braca Monte (Curator)

OM on BBC radio

This is performed live in the session with the OM of Al Cisnellos & amp; amp; Co. BBC Radio 1 (the original broadcast is May 5, 2019).

Playlist

1. State of No Retan (00:00)
2. Burning Gut I & amp; II (08:17)
3. Gessse Mane (17:38)

Waste of Space Orchestra Bring ‘Syntheosis’ To Life in Full-Length Debut

~Jacob Mazlam~

There are many ways to start a review. It can be funny, you can explain a little background at first, or you can start with a joke.

In any case, it's a good idea to show your hands immediately. Consider a little public, praise and warn the various parts. Press and pull the audience to keep reading.

What should not be done is to come out of the gate with praised ejaculation, like the estrus bull. Only the bands are rejoiced. That said, that's exactly what I'm trying to do.

I love this album. You may not think so, but I like it.

But to understand this release, a small context is important. The context and artistic intentions may not matter, and some argue that the only important thing is the final sound product and the personal intuitive reaction. However, every album has a story and is more attractive than other albums.

I don't know what to call Waste of Space. band? collaboration? A on e-off project? A musician group consisting of an ensemble of Orani Pazs (Alias ​​Black Metal Can) and Dark Buddha Rising (formerly ignored and had no nifty comments).

This means that a total of 10 musicians are writing and playing an album from two different bands. No one knows what this creative process is like. However, since they are all Finnish, it can be guessed that they do not talk much with strong alcohol.

The roots of Syntheosis were in collaboration in Roadburn's live in 2018 by the two bands, and they were clearly thinking about bringing this music into the studio. In other words, this is a kind of strange superfood or jam, but the sound is much better than legitimate rights.

Destruction, black metal, crautrock, psychedelic, and drones are imported into the sound, but anyone who wants to do so is doing so in a way that can get tremendous satisfaction.

What is interesting is that everything is working well. It's like a 10 musicians is playing together, but the performance is not cluttered or falling apart. There may be an opinion that it sounds like an enlarged manure, but it is just another expression that emphasizes the towering and magnificent spectacular, like a cathedral of sound.

Also, music is strange, and there are some things that do not understand, as a clear dream slips off the finger the moment you wake up. Some kinds of melodies and phrases can even feel creepy, and sometimes it sounds like the Mahabish Nun Orchestra in the Inner Mounting Frame era, much more than the metal I imagined.

This transcendental element is permeating from the beginning to the end of the album, probably, the typical guitar, bass, and drum attacks we expect unconsciously. Probably the result. However, this fresh wallpaper does not weaken the sound, and its thickness comes from the album's presence, layers, and simply putting details on each element. As a result, the sound of the guitar is more lobess than Brad Eagle, the composition of the riffs is like the monkeys of the ratal abuse, but the feeling is Siam Dream.

Indeed, this is a psychedelic album than a doom or black metal. Anyone who wants to listen to a black metal album may be disappointing. If you just pass the disaster, you may feel dissatisfied. But for those who want to spread their hearts with a nice cu t-off sound that bends a soul rooted in metal? Perhaps you can't hear any more this year.

Listen…Can You Hear The Distant Howling? This is The AGE OF THE WOLF!

~Doomed & amp; Stoned debut~

I just overcome the "shock" of the Heavy Underground in Costa Rica, but apparently I missed it (see Redhead Match).

Their first records were sel f-titled EPs released in 2016, from Mastodon (early Mastodon, from Melvins, Mastodon (early Mastodon and them are emphasized), and probably the rich and strict in the 90's. Three years later, we met all kinds of wolf, three years later, the effects of oozing into the band. Clear and decisive, Christopher de Haan (Guitar, Vox), Gabriel Ortis (Drums) have a clear voice in the past. It seems that OUROBORIC TRANCES is making the difference between just a record pin or a teeth.

I was glad to hear the Wolf Channel the Gravitas of Candlemass Age at "HERALD OF ABYSSOS" at the beginning of the album. There is no song like an opera, but the pipe is still growing. Three of the four are equally in charge of the vocals (when I checked with the band, it was only double dogs). Is this intentional? Yes, it's a unity of a true wolf. < SPAN> Really, this is a psychedelic album than a doom or black metal. Anyone who wants to listen to a black metal album may be disappointing. If you just pass the disaster, you may feel dissatisfied. But for those who want to spread their hearts with a nice cu t-off sound that bends a soul rooted in metal? Perhaps you can't hear any more this year.

Doomed & amp; Stoned debut

I just overcome the "shock" of the Heavy Underground in Costa Rica, but apparently I missed it (see Redhead Match).

Their first records were sel f-titled EPs released in 2016, from Mastodon (early Mastodon, from Melvins, Mastodon (early Mastodon and them are emphasized), and probably the rich and strict in the 90's. Three years later, we met all kinds of wolf, three years later, the effects of oozing into the band. Clear and decisive, Christopher de Haan (Guitar, Vox), Gabriel Ortis (Drums) have a clear voice in the past. It seems that OUROBORIC TRANCES is making the difference between just a record pin or a teeth.

I was glad to hear the Wolf Channel the Gravitas of Candlemass Age at "HERALD OF ABYSSOS" at the beginning of the album. There is no song like an opera, but the pipe is still growing. Three of the four are equally in charge of the vocals (when I checked with the band, it was only double dogs). Is this intentional? Yes, it's a unity of a true wolf. Indeed, this is a psychedelic album than a doom or black metal. Anyone who wants to listen to a black metal album may be disappointing. If you just pass the disaster, you may feel dissatisfied. But for those who want to spread their hearts with a nice cu t-off sound that bends a soul rooted in metal? Perhaps you can't hear any more this year.

Doomed & amp; Stoned debut

I just overcome the "shock" of the Heavy Underground in Costa Rica, but apparently I missed it (see Redhead Match).

Their first records were sel f-titled EPs released in 2016, from Mastodon (early Mastodon, from Melvins, Mastodon (early Mastodon and them are emphasized), and probably the rich and strict in the 90's. Three years later, we met all kinds of wolf, three years later, the effects of oozing into the band. Clear and decisive, Christopher de Haan (Guitar, Vox), Gabriel Ortis (Drums) have a clear voice in the past. It seems that OUROBORIC TRANCES is making the difference between just a record pin or a teeth.

I was glad to hear the Wolf Channel the Gravitas of Candlemass Age at "HERALD OF ABYSSOS" at the beginning of the album. There is no song like an opera, but the pipe is still growing. Three of the four are equally in charge of the vocals (when I checked with the band, it was only double dogs). Is this intentional? Yes, it's a unity of a true wolf.

~Nevertheless, my only criticism is that I want to hear the singers trying two or three harmony. If you've heard a lat e-night cooler, you'll know what I'm saying. I understand that coyote and wolves are different). However, when I listen to that gunshot, cry, and occasionally magic chorus, I feel afraid of God. The closest experience in this record is a violin that freezes the spine in Witches. Do more.~

My favorite is "THE CRIMSON PENITENCE", the spacious bittersweet riffs and the distant shouts like Conan are impressive (although the vocal style is clearly different). "Molton Earth" is like a on e-second epic of 9 minutes and 30 seconds (the longest in the album). The short stretching punch at the end of the song is one of the most effective moments of Ouroboric Trances emotionally (Katatonia fans can dig).

Through the entire album, the band will listen to a classical touch that mixes the complexity of the initial killing ("Fool") and the progressive metal ("Goliath"). It is well fit in playlists such as Inter Alma, Baroness, High on Fire, Black Task, Cave Ape, and Wolf's beloved Mastodon era.

On May 10 (Friday), you can enjoy the Age of Wolf records, solid disks, and digital formats released by Oral Music Labels (here is a reservation). Until then, you can listen from end to end with this exclusive debut album!

Costa Rica's Duom Metaller Age of the Wolf will release his debut album EUROBORIC TRANCES in three forms: Oral Music, Digital, CD, and Records. The group that worships this fuzz is supported by an apocalypse rhythm section across all spectrums of sludge / lithium / duem, and provides crushed riffs and magnificent melodies. < SPAN>, but my only criticism is that I want to hear the singers trying two or three harmony. If you've heard a lat e-night cooler, you'll know what I'm saying. I understand that coyote and wolves are different). However, when I listen to that gunshot, cry, and occasionally magic chorus, I feel afraid of God. The closest experience in this record is a violin that freezes the spine in Witches. Do more.

My favorite is "THE CRIMSON PENITENCE", the spacious bittersweet riffs and the distant shouts like Conan are impressive (although the vocal style is clearly different). "Molton Earth" is like a on e-second epic of 9 minutes and 30 seconds (the longest in the album). The short stretching punch at the end of the song is one of the most effective moments of Ouroboric Trances emotionally (Katatonia fans can dig).

Through the entire album, the band will listen to a classical touch that mixes the complexity of the initial killing ("Fool") and the progressive metal ("Goliath"). It is well fit in playlists such as Inter Alma, Baroness, High on Fire, Black Task, Cave Ape, and Wolf's beloved Mastodon era.

On May 10 (Friday), you can enjoy the Age of Wolf records, solid disks, and digital formats released by Oral Music Labels (here is a reservation). Until then, you can listen from end to end with this exclusive debut album!

Swamp Witch Reveal Secrets Beneath The Bog in 2nd LP, ‘Dead Rituals’

~Doomed & amp; Stoned debut~

My favorite is "THE CRIMSON PENITENCE", the spacious bittersweet riffs and the distant shouts like Conan are impressive (although the vocal style is clearly different). "Molton Earth" is like a on e-second epic of 9 minutes and 30 seconds (the longest in the album). The short stretching punch at the end of the song is one of the most effective moments of Ouroboric Trances emotionally (Katatonia fans can dig).

Through the entire album, the band will listen to a classical touch that mixes the complexity of the initial killing ("Fool") and the progressive metal ("Goliath"). It is well fit in playlists such as Inter Alma, Baroness, High on Fire, Black Task, Cave Ape, and Wolf's beloved Mastodon era.

On May 10 (Friday), you can enjoy the Age of Wolf records, solid disks, and digital formats released by Oral Music Labels (here is a reservation). Until then, you can listen from end to end with this exclusive debut album!

Costa Rica's Duom Metaller Age of the Wolf will release his debut album EUROBORIC TRANCES in three forms: Oral Music, Digital, CD, and Records. The group that worships this fuzz is supported by an apocalypse rhythm section across all spectrums in the genre of sludge, lithium, and duem, and provides crushed riffs and magnificent melodies.

Formed in 2014 as a rock-oriented live act, Age of the Wolf released a self-titled EP that was nominated for Best Hard Rock Release at Costa Rica's ACAM Awards. The track "Memorial" was featured on Flying Elephant's Sessions at Botica Solera, a notable music series from Costa Rica that gained prominence as a result of winning a competition between several domestic bands in the country. Overall, the EP helped expand Age of the Wolf's fanbase and allowed them to perform regularly throughout Costa Rica.

Writing sessions for their debut album, Ouroboric Trances, began in early 2017, with the band taking their time to craft their original sound, blending thick walls of fuzz, acerbic vocals, and slow rhythms. The album was recorded live at Bushido Audio Studios in Cartago, Costa Rica by sound engineer Juan Pablo Calvo. The album marks a new step in the band's sound, focusing on the more organic, aggressive, and versatile side of Age of the Wolf.

Roadburn

Festival Album

While some members have participated in Roadburn Festival, a heavy underground music festival that has been held in the Netherlands for decades, this was Doomed & Stoned's first official year at the big dance. Famous for its annual gathering of avant-garde, doom, sludge, black, and death metal, I was very surprised when Sally Townsend said, "This year I want to record everything for Doomed & Stoned." So for the 2019 edition of Roadburn Festival, Sally was dispatched to Tilburg, a city with roots that date back to at least the Middle Ages and became a major wool producing or trading post.

"The challenge with Roadburn compared to Psycho Las Vegas is that there are six stages! There's bumps, one venue is a 10-minute walk from the other, and the small rooms fill up quickly, so if anyone wants to shoot at the small stages, they have to line up about 30 minutes before the set starts. Only two stages have photo pits, so I was only able to shoot 4-5 bands a day. That said, I think it will be easier to plan next year, so I hope we can make it an annual event!"

Here are some highlights from Roadburn Festival 2019 as witnessed by Sally's always insightful lens.

Day 1

Day 2

Day 3

~Day 4~

Doomed & Stoned debut

What a terrible, huge disk beast. I just finished watching the wonderful "The Witch" (2015) on the weekend, but there are still darkness and fear, and I want to watch Swamp Witch as an alternative soundtrack.

This Friday, Auckland's catastrophic swamp reminds me of Dead Rituals (2019). This release may bother you for a while. "PERCHED IN THE SEWAGE", which starts with a fierce feedback notes, takes us straight to the mystery of a swamp where smoke can be launched, and opens up the road with intense beats and crunchy cords. The last voice heard in "The Slithering Bog" (2015) is wrapped in a dissonance cloak and returns. Excavation of this genre revealed by rot is done here:

The bodies buried in the debris of the fake burial and the petrified body drip ancient death.

Under the weight of the dark monument. A fragment of the constant story is buried.

From the impressive motifs of "Serpent Drug Cult Myths" to the bitter astringent and pilgrims of "Katacomb Saint", there are many impressive moments as the rituals of these dead are revealed one by one. 。

The end of the album is a title truck where the riffs and emphasized drums swirl. For me, as if the adventurer stepped into the bog, it was a trap that was a trap set by a witch in the swamp, and was desperate to be swallowed by a supernatural vortex. Is felt. Is it his secret to be buried in the muddy next?

This evil game must end. < SPAN> What a terrible, huge disk beast. I just finished watching the wonderful "The Witch" (2015) on the weekend, but there are still darkness and fear, and I want to watch Swamp Witch as an alternative soundtrack.

Day 3

~The bodies buried in the debris of the fake burial and the petrified body drip ancient death.~

Under the weight of the dark monument. A fragment of the constant story is buried.

From the impressive motifs of "Serpent Drug Cult Myths" to the bitter astringent and pilgrims of "Katacomb Saint", there are many impressive moments as the rituals of these dead are revealed one by one. 。

The end of the album is a title truck where the riffs and emphasized drums swirl. For me, as if the adventurer stepped into the bog, it was a trap that was a trap set by a witch in the swamp, and was desperate to be swallowed by a supernatural vortex. Is felt. Is it his secret to be buried in the muddy next?

This evil game must end. What a terrible, huge disk beast. I just finished watching the wonderful "The Witch" (2015) on the weekend, but there are still darkness and fear, and I want to watch Swamp Witch as an alternative soundtrack.

This Friday, Auckland's catastrophic swamp reminds me of Dead Rituals (2019). This release may bother you for a while. "PERCHED IN THE SEWAGE", which starts with a fierce feedback notes, takes us straight to the mystery of a swamp where smoke can be launched, and opens up the road with intense beats and crunchy cords. The last voice heard in "The Slithering Bog" (2015) is wrapped in a dissonance cloak and returns. Excavation of this genre revealed by rot is done here:

The bodies buried in the debris of the fake burial and the petrified body drip ancient death.

Under the weight of the dark monument. A fragment of the constant story is buried.

From the impressive motifs of "Serpent Drug Cult Myths" to the bitter astringent and pilgrims of "Katacomb Saint", there are many impressive moments as the rituals of these dead are revealed one by one. 。

The end of the album is a title truck where the riffs and emphasized drums swirl. For me, as if the adventurer stepped into the bog, it was a trap that was a trap set by a witch in the swamp, and was desperate to be swallowed by a supernatural vortex. Is felt. Is it his secret to be buried in the muddy next?

This evil game must end.

Greg Wilkinson expresses the monster sound of Swamp Witch, with plenty of realism, as if listening at a concert venue, with the terrible noise of amplifiers and hair, James Rau's scary noise. It is increasing the name of the Vox brand. Sludge metal records are too far, it's too cloudy, and often sounds too fuzzy. Thankfully, not here. Wilkinson himself is a veteran of the Auckland sludge metal scene led by the legendary Brainoid, and has definitely helped to make the next good board for the good board for about 15 years on his Earhammer Studios. I am. In short, he has a hand in order to revive the swamp witch in front of our ears.

Swamp Witch's "Dead Rituals" will be released on May 10 on the Transylvanian Tapes label (here is a reservation). PRIMITIVE MAN, CONAN, COUGH fans do not miss this release!

Swing Witch, a Sludge Leturist from Auckland, will release a 2nd full album "DEAD RITUALS" (2019) released by Transylvanian Tapes on May 10.

"DEAD RITUALS", recorded by Greg Wilkinson (BRAINOIL, AUTOPSY, Fórn) in Earhammer Studios, is a proof of any slow and evil. If you want to express the extremes of death, destruction, and mu d-like metal in words such as "transcendence" or "metaphysical", this California five players play sounds like psychopaths and sleep paralysis.

At the end of 2009, since the first gathering of Sanhoakin Valley, California, the sounds that invite their hypnosis have been accumulated and eventually reached the current Bay Area. In 2010 GNOSIS EP, 2014's "The Slithing Bog" LP, and countless live, the band continued to hone curiosity in the unusual mode of sound destruction. Through a psychedelic instrumental passage that combines mud animal persona and a trance groove that smells of death metal for some reason, Swan Witch has become a hazy subconscious called Extreme, cultivating truly scary sounds. Ta.

Recently, the strongest system in the secular sludge band has appeared as a quadrilic ritual for dead albums, the catastrophic disaster of the world and the catastrophic disaster of the Duom, Dusty in the 70's. It is a strange route between the Lost album, and yesterday's painful sludge classic sel f-healing punishment, and is functioning as the most valuable provision of the band.

Catastrophic and stumbled performance

Season 5, episode 13

This weekend, THE DOOMED & AMP; STONED is a Madrid KristonFest promotion sponsor with har d-rock stones such as EARTHLESS, KADVAR, DOZER, Mondo Generator. Take it!

Intro (00:00) 1. Dozer- "Riding the Machine" (00:32) 2. Cadvar- "All Our Thoughts" (04:23)

Welcome section #1 (09:01) 3. Arabrot- "The Dolorous Years" (10:23) 4. Monde generator- "Another Tension Head" (23:01) 5. Nick Oliveri- "Anything that MOVES "(27: 33) 6. Monde generator-" Miss Mary Gets A BOOB JOB "(29:40) 7. Earthless-" Black Heaven "(33:58) 8. Earthless-" Cherry Red "(Cherry Red" ( 42:43)

Reception section #2 (47:19) 9. Church of the Secular Skull- "The Cards You Play" (49:08) 10. CHURCH OF THE COSMIC SKULL- "Science FICTION" (54:32) 11: Turbowolf - "Up & amp; amp? (59:08) 12. Turbo wolf-" Capital X "(1:04:00) 13. Doser-" RISING "(1:07:06) 14. Dozer-" Two Coins for the Eyes "(1:10:43)

Reception section #3 (1:17:50) 15. Kadavar- "Filthy Illusion" (1:18:33) 16. Kadavar- "The Old Man" (1:22:18) 17. KADAVAR- "Come Back TO LIFE "(1:26:23) 18. Hera Copters-" 1995 "(1:31:34) 19. The Hera Copters-" Kick Dispis One Slow "(1:34:58)

Host section #4 (1:44:47) 20. Turbo Wolf- "Too Bad" (1:46:06)

May 10th (Friday) | Venue: Sala Mon (USA) Nick Oliveri's Mondo Generator (USA) Arabrot

May 11th (Sat) | Venue: La Riviera (Madrid) The Hellacopters (Sweden) Kadavar (Germany) DOZER (Sweden) Turbowolf (UK) CHURCH OF THE COSMIC SKULL

A catastrophic, ston e-filled show

Season 5, episode 12

I guess I got a little carried away this May 4th weekend. It's "May The Fourth Be With You," a pretty official holiday for Star Wars fans. You might confuse it with Star Wars (if you haven't seen it), but George Lucas's film holds a special place in my memory. I was holding my dad's hand while waiting in a long line that circled the two-screen theater at a small movie theater outside Seattle. And when the movie started, it was more shocking than the desert scene on Tatooine.

Now it's 2019 and I have this crazy idea: what if I did a doom metal and stoner rock tribute with this movie? I think the story works beautifully in the first two acts without a neat breakdown like a drawn-out final act, so I'll commit to the destruction of Alderaan and see how it fits in your fancy pants.

And this miniature is from Ralph McQuarrie's concept art portfolio, where he painted 21 portraits like this in total (including my favorite interpretation of Darth Vader).

Introduction - Luke & Biggs (00:00)

1. The Hunt - "Heroes" (00:36)

We are doomed! (05:11)

2. Candlemass "Droids" (05:46)

Father Darkness (10:25)

3. Space Metal - "Shroud" (11:08)

4. Mercy - "Tyrant" (16:25)

Darth and Lee meet (19:20)

5.

The Great Escape (24:13)

6. Eating a Battery - "Droids on Roids" (24:46)

(29:31)

7. High on Fire - "Dark Conspiracy" (30:21)

Of Droids & Jawas (35:53)

8. Bantha Rider - "Sandcrawler" (37:31)

Goldenrod's Job Interview (43:51)

The 9th Droid "Inorganic Man" (44:24)

Very lewd creatures! (49:41)

10. Bantha Rider "Java Juice" (49:50)

(58:48)

11. Ancient World Robots - "Cosmic Rider" (1:00:08)

Runaway Robots (1:07:25)

12. Clutch - "Droids" (1:08:07)

Humans made of sand! (1:12:49)

13. High on Fire - "Fire, Flood & amp; Plague" (1:14:15)

(1:20:22)

14. Moth Generator "Lonely One Kenobi" (1:21:49)

Shady Origins (1:26:53)

15. The Hot Wires - "Dark Energy" (1:28:03)

Through All Living Things (1:31:57)

16. Major Kong - "Energy Whip" (1:32:08)

Waking Up Guerrilla (1:35:11)

17. Stonegriff - "Come Taste The Blood" (1:36:04)

Invitation, Hesitation (1:41:25)

18. Kaiser - "Galactic Crusade" (1:42:24)

Imperial False Flag (1:48:27)

19. Adobe Holmes - "Burning Houses on Tatooine" (1:49:16)

I Want to Be a Jedi (1:52:26)

20. Space Metal - "New Blood" (1:52:48)

21. Black Sabbath - "Zero the Hero" (1:59:53)

Stormtrooper Stop (2:07:24)

22. Jupiter - Stonetrooper (2:07:58)

The Week Mantle (2:16:17)

23. Kvajir - "The Emperor" (2:16:38)

THE ROADBURN DIARIES

~Ready for anything (2:20:11)~

24. Black Rainbow - "Little Galaxy Monster Message" (2:20:32)

Bot Bigots (2:27:29)

25. Skunk - "Star Power" (2:27:47)

Café showdown (2:31:42)

26. Death Judgement - "Taxbear" (2:32:36)

Ship negotiations (2:37:28)

27. Mammoth Weed Wizard "Ezekiel's Spaceship" (2:38:25)

Showdown in the Villain's Den (2:46:51)

28. Bantha Rider "Uta Tuta Solo (Greedo's Funeral)" (2:48:09)

Phovos His. This. Battle. (2:54:04)

29. Beyond Belief "Tyrant of the Sun" (2:55:29)

30. Raven - "Space Station #5 (Montrose cover)" (3:00:45)

A disturbing lack of faith (3:04:49)

31. General Sadness - "More Machines Than Alive" (3:05:55)

A quick escape (3:10:04)

32. Stonetroopers - "Wookie Boogie" (3:10:50)

Hyperspace at Hyperspeed (3:14:30)

33. Mastodon - "Divinations" (3:15:25)

Blue Planet Go Bye Bye (3:18:56)

34. Doom Machine - "Finally ... we rely!" (3:20:32)

35. Cosmonaut Fuzz - "Rings of Saturn" (3:25:36)

(3:33:24)

36. Bosk - "Heliopause" (3:33:40)

37. Goliath Gypsy Director - "Masters of Space and Time" (3:37:27)

Outro - Luke & Biggs (3:46:17)

38. Teepee Creeper - Too Far (3:47:32)

All images and audio clips belong to Lucasfilm and are subject to fair and transformative use in this podcast. This is a Star Wars tribute and has no official relationship with the owners.

Willem Verhappen

I took the plunge and paid a lot of euros and some change to buy a notebook. After four days of roadburn, it will probably be as disastrous as I expect, but I hope it's still readable. [In retrospect, it was money well spent, as the notebook survived the roadburn without significant damage.] Only time will tell whether its pages will become literary gold or the drunken ramblings of a madman. The truth is probably somewhere in between. [Feeling unwell this past week and deciding to drive to Tilburg every day may have saved the notebook from ruin.

14:30 - Ticket office

As the sun goes down, Crypto Trip's Haze County flows from the car speaker. There is no better start. Unfortunately, the first dilemma is already coming today: Do you see the FOLKESANGE set of Myrkur or see the Bismuth set? For the time being, let's wait for the arrival of my friend T and S while sunbound.

16:3 0-Studio Tillburg

compromise. The opening of ROADBURN was the masterpiece of the Hall of Fame by Bismuth, "The Slow Dying of the Great Barrier Reef". Unfortunately, the band ruined the dynamics at the beginning due to technical issues, but otherwise it was a strong experience.

Before the bismas set was over, we moved to the main stage. On the way, I met friends who decided to go to see Myrkur together. Scandinavian folk songs were impressive and played well, but not we needed.

When I went outside, it was not just us. The Patronaat matrix continued to CUL DE SAC. The weather was still fine, so I decided to drink beer in the sun.

19:05 --Wemalttrat

MOLASSES was very looking forward to the reunion of The Devil's Blood. Their set was generally a sincere and affectionate tribute to the TDB leader, Serim Remucci. But in some ways, the band seemed to be possessed by Serim himself. I sincerely hope that it will be released as a live album. [After that, I learned that the band was already recording EP in a shopping mall. So I'm satisfied, but I still need a live album! ].

After this intense show, it was time to go to eat something. I decided to eat Vietnamese food food. But I should have been more careful about Sambal. I like this, but there were too many bites.

19:3 0-Green room balcony

Thankfully, I was in time to listen to the incredibly beautiful last song of Linga Ignota. I had a hard time entering the venue, and I couldn't get closer than the back of the balcony. For the first time after the show, she found she was sitting behind the keyboard in the middle of the green room. It's an eccentric choice like her.

21:20 --Tentushi Skate Park

Emma Ruth Rundle was more doomy and gloomy than I expected. Last time she was playing solo, but this time she brought her full band. Her songs were sometimes dark and doomy, sometimes rock, but always unique.

But the best kept secret of the day was definitely the heavy and soulful astronauts, Mythic Sunship. Even though it wasn't a full house, they know how to party at the skatepark. [Mythic Sunship was the first band scheduled for the skatepark, but there were more bands scheduled for this special place over the weekend. More on that later.]

22:45 - Koepelhal

I don't know why a band like Midnight is playing at Roadburn. I really enjoyed their dirty, sexually charged sound, a mix of Venom and Motörhead Sleaze. Judging by the big crowd at Koepelhal, I wasn't the only one.

00:40 - Main Stage

Post-rock is hit or miss for me, but the combination of guitars and classical instruments often brings a smile to my face. The latter allowed me to see Mono perform an ode to the immortal Wind Records backed by Joe Quail Quartet, as the performance was pure acoustic bliss. It's rare to hear metal guitars and classical instruments blend so naturally. It certainly wasn't boring, but the floating melodies made me a little sleepy.

2: XX - Eindhoven

I guess I've come full circle today. I started with Crypt Trip and ended with them. After Mono, this Texas rock band was just what I needed. Their country-set hard rock restored my energy levels. Then again, anyone who can stand still during a Crypt show must be dead. It was also nice to see my crushing, stone-faced colleague Calvin again. Roadburn is off to a good start. 15:25 - 013

T, S and I have been gold-digging since the second day of Roadburn. I had lost track of this Dutch band since their second album, when their esoteric rock to post-rock sound was disappointing. Today, however, I was not disappointed at all. Their hit after hit of black/punk/rock blew me away. Charismatic frontwoman Milena Eva and her bandmates are back on my radar.

I am now enjoying the first of three sets of a spellbinding 7-disc set. It's nice to see some decent heavy soul/stoner rock in between the cutting edge stuff. Very well done!

17:00 - Ladybird Skatepark

Above all, the tropticon was the show I was most expecting at this festival. As I mentioned earlier, I am a metal fan mixed with classical music, so I can't miss this Swiss band with the world's leading pop orchestra, the famous Metropol Orchestra. Not. What they play today is a Requiem composed by Tom G. Warrior. Part 1 and Part 3 go back to the era of Keltic Frost, that is, "into the Pandemonium" (1987) and "Monotheist" (2006). This song had no middle part until now.

The performance was not perfect. There were some drawbacks here and there, and I felt that the orchestra was exceeding the band. It was an impressive performance overall, but I feel that it was possible somewhere. Still highlights.

Currently, I am enjoying the surprise and mud of Vile Creature. On the other hand, as a part of the Holy Roar X Roadburn showcase a.

19:5 5-Studio Tillburg

After the eardrum was destroyed by Vile Creature, it was time to drink beer with friends. As a result, I missed Conjurer, but I managed to see the last 30 minutes of Anna Von Hausswolff on the main stage. In records, her music is very relaxing, but in live, this little woman and band create a huge tide of sound. The "The MySterior vanishing of Electra" was more impressive than the recording.

34. Doom Machine - "Finally ... we rely!" (3:20:32)

After enjoying Calvin's struggle with a huge hamburger at a studio cafe, I am the first line of Koepelhal between Svarbar and Pijn's neckbreaker set (both part of Holy Roar's showcase). I won. For collaboration between Residence Artist Thou and EMMA Ruth Rundle. It was worth it. This noisy marriage was as expected by both agents.

3: XX --Einthofen

After the set of Pijn, I went straight to Patronaat and secured a good seat again for the lon g-awaited performance. Messa was a large line.

The reason I love this Italian is their ability to listen to the old school fresh. This band is realized by incorporating jazz elements and occasionally adopting black metal. Today, the band invited a saxophone player and added a further dimension to their music. 17:20 --013

We started today with Have A Nice Life. New wave was nice, but we had other priorities. Wolvennest was going to play their latest album, Void, in its entirety. The Belgian band brought in some guest musicians for this show, and also some brand new visuals. Musically, Wolvennest is a definite step up from their debut, WLVNNST. Their psychedelic and doom-influenced black metal pleased the large crowd that came to see this ritual. The only negative observation was that the altar seemed too small for the large main stage.

Henrik Palm is no stranger to most road burners. The Swede was a member of In Solitude and Ghost. His eclectic rockers always feel unique, although it can be clearly heard in his solo work. Only one question remains: why a Judas Priest video first? 19:20 - Ladybug Skatepark

I don't really like most of the bands on Exile on Mainstream, but Treedeon was a must-see. This German band creates noisy, primitive mayhem that suits my tastes perfectly. There's a definite Conan vibe, but the dual vocals make it more brutal.

23:15 - Copenhagen

I always like to have a good time with good people, so I was happy to join Calvin and Sally (whose photo spices up this article) for a session of Doomed & Stoned. Counterintuitively, I left my friends behind and headed to the venue in time for what was sure to be the highlight of Roadburn this year. As I approached 013, I was greeted by the distant smell of marijuana, like I'd entered a coffee shop (in the Netherlands). It was no surprise, as they were performing Sleep's classic album, Holy Mountain, in one go. I arrived about 20 minutes before the show started, but the place was already full, and within 5 minutes there was a line.

It was a strange experience to hear one of my favorite albums live. The first few notes of "Dragonaut" already had me excited, and headbanging took precedence for nearly two hours. Falling asleep during parts of "The Clarity" and "Dopesmoker" was definitely a blast.

4:xx - Eindhoven

Doolhof was a classic case of meeting a band at the wrong time. The drone collective, which includes members from Old Man Gloom's Aaron Turner and Sumac fame, sounded very intense and seductive, but after "Sleep" I was looking for something more energetic.

Thankfully, we received a push message after the Sleep show that they would be playing a special set at SkatePark. There were rumors of a Misfits cover set at some point over the weekend, and that's exactly what happened. With a few hundred people in attendance and the crowd sipping beer, the band played classics like "Die, Die Dear" and "Hybrid Moments."

The set was pure chaos, with the crowd moving around as one mass and constant crowd surfing. The band was joined by Emma Ruth Rundle for a few songs, and by Nate Nateton and Adam Bartlett of Gilead Media for the final song, "Last Caress." The former even took a dive. If you were wondering why they're this year's resident artist, now you know.

Recharged from the absurd show we just saw, it's time for some afterplay in the basement of 013 until the lights go down.

A few years ago, Roadburn Sunday was more of an after-party, or afterburn, but in recent years it has expanded to an entire day. This year, bands will be playing on all stages except Koepelhal, but thankfully my schedule is much less hectic than before.

17:30 - Main Stage

The intensity of the three days of Roadburn seems to have affected not only me, but also most of the visitors. Therefore, we decided to take it easy. We arrived in Tilburg at 3pm, which meant we missed Lucy in Blue. For the first time this weekend, the temperature reached a comfortable level, so we decided to soak up a bit of sun before diving into another day of musical adventures.

The first band of the day was Supersonic Blues, who joined the lineup at the last minute. This young band from The Hague had the honor of playing at the now famous Ladybird Skatepark. Their heavy blues was nothing special, but it definitely energized the rest of the day.

The first highlight of this day was that my hometown of Einthofen, a newcomer Tankzilla, was in the Hall of Fame. This was the second live, but the two members are everything on the stage. Vocalist / guitarist Peter Van Elderen has been successful in Peter Pan Speed ​​Rock for more than 20 years, but has many stoners in bands such as reports and For head dogs, and drummer Mercin Fulkmanance. Is known for the locker's Wolf Scoop's activities. They have only two in this scene, but they are a fats with fat on Van Elderen's characteristic riffs and lyrics. Today, the first 7-inch was released, but when I watch this live, I want to listen more!

20:45 --013 Lobby

I had about an hour, so I decided to walk to 013 to check several songs from today's set. Even though it was the fourth set this weekend, the main stage was full of people who wanted to see the residence artist again. That should be it. Despite the last 16 hours ago, the band once again played an energetic disaster set. Thanks to that, it was a bit painful to leave early, but since this morning, I'm looking forward to seeing the second chance to see Bismas. Skate Park has become a favorite venue, and the sound is perfect for the power of "Great Barrier Leaf, which dies slowly." This time, the perfect performance of the British duo "The Slow Dying of the Great Barrier Reef" is one of the absolute highlights of this festival.

On such a day, fuel is important, so I decided to skip the beginning of the old man and eat delicious crepe with plenty of spinach, goat cheese, walnuts and honey. When I arrived at the full stage, the OMG set was almost over, but from the enthusiastic audience, the New Mexico sludge machine seemed to perform somehow.

2: XX --Einthofen

Roadburn was over, but it wasn't for two hours to enjoy sleep. This time, Sonic Titans played all of the latest work "Science" and added another section of "Leagues Down", "Dragonaut", and "Dopesmoker". Unfortunately, the band was struggling with technical problems, and Matt Pike had to change the instrument amplifier. As a result, the show could not be a legendary event.

After going to bed, it came to begin to spend as long as possible, sparing to break up. It's always painful to say goodbye to my old and new friends, but it was fun to hear the wonderful stories I had experienced this weekend and enjoy joy in tired eyes. Like the United Kingdom, we stayed until we were kicked out and left Tilburg with many new memories.

Approaching the end

Author: Billy Goat

Art: RUSOTSIG (@rusotsig)

Life is far from me. Visuals are all. Unopened mails are piled up everywhere in the room like a mini babel tower. Even those that usually give great joy, such as the set of records that have recently arrived, are lying without being disturbed with the brown cardboard packaging. On the other hand, my email continues to increase in exponential functions. There are 200 emails that have not been reply today, 400 in tomorrow, 800 on the next day (for reference, today's total 2. 359). Opening a reception tray is the same as stepping into traffic congestion.

Recently, meals have been simplified. If you can't eat without wrapping, forget. Empty wrapping paper? They also join general disorder and decorate my lonely landscape. After all, messages from friends and family remain unread. The invoice remains unpaid (even if you have enough money). The garden becomes a jungle of tall grasses, weeds, and al l-yo u-ca n-grow. Clothes are left unchecked, and hygiene management is neglected for many days. On the weekend, if this is the case, I will be regrettable, and I think of the end day.

These are typical symptoms of depression, as all doctors acknowledge. What a doctor doesn't tell is how desperate.

Mollo Rilla Take Us On A Rock ‘n’ Roll Odyssey

~Doomed & amp; Stoned debut~

It wasn't that I was disappointed and didn't want to go. On the contrary, I was actively planning to go. I signed up, bought tickets, and even checked out the camera equipment to film the show. Most of the time, even though I was dressed, prepared, and even said that I was looking forward to it, I would somehow get depressed and find an excuse not to go. Then one day, I got tired of making excuses and just stopped going out.

One time, I was on a two-hour trip to see Saint Vito and the Witch Mountain at the Star Theatre when suddenly, a wave of sadness hit me from head to toe. As soon as I found the nearest railway crossing, I got out, turned around, and drove home. Even to a show that I knew would be cathartic (the Bell Witch playing the title role of the Mirror Reaper at the local hall), I couldn't drive more than a few kilometers away. The few times I was able to go out, it was because I absolutely pushed myself. I gritted my teeth, gripped the steering wheel tightly with both hands, and rehearsed in my mind a million reasons why I should turn back and stay home.

Alice in Chains' "Excuses" captures that frustration beautifully:

Every day leaves me cold

Find me sitting alone, with no excuses.

Depression has robbed me of so much. It's caused me to miss opportunities to work with musicians and artists. It has alienated friends and family, making us less and less in touch. I stopped celebrating birthdays. I've become a shadow of who I am.

To make matters worse, there was a new development: anhedonia. I remember occasionally searching for the meaning of this word when I rewatched Undersmile's album of the same name. Anhedonia essentially means the inability to find joy in life. Navigating my friend's timeline, I find it hard to empathize with his happiness. The feelings of loneliness, of growing old, of the utter futility of human pursuits. I often feel more like a bystander than an actor in the epic drama that is life.

If you read this sentence, I want you to keep in mind that I have been doing a stable ful l-time job for decades so far. Some pursue alcohol, some eat, and some are romantic love. I have worked enough to die for the last two years and have almost no precious "mental health day" and vacation. At one point, the paid vacation was digested, and my boss had to confirm that I was resting two days a month. Can you imagine? I sometimes go to work instead of thinking on the weekend. At least during work, you are distracted by being able to feel some differences.

I don't feel like a life that wants to die or wants to cry about how bad my inside is.

Unknown rubble leads to melancholy, increasing melancholy.

I just want to sleep on weekends recently. It's okay during work. I'm in the zone. There is a purpose. Things make sense. I need it. When I am at home, I always have a toDo list, but no matter how busy I try to be, I am lonely and evil. It's painful to be alive. I have no choice but to express it. So I go into bed early, sleep, sleep and sleep without borrowing melatonin. He just wants to start a new start, hoping that he forgets to sleep, wakes up the next day, and all the oppressive emotions of the darkness are leaving. Nine hours, 10 hours, or 12 hours are not unprecedented, and when you wake up, you want to curse. I've been sleeping so much since I was a teenager.

At least a part of my depression seems to be related to sunlight. It's almost OK while the sun is out. When taking the medicine, I feel like I was obsessed with the purpose, I was busy with 12 various projects, built a network with bands, label records, PR representatives around the world, and checked new files. , Edit the submits from the team, and sometimes squeeze the nerves of writing their own album reviews. However, when the sun sinks and the darkness comes, and the landscape begins to swim in the threatening shadow, everything changes. < SPAN> I want you to keep in mind that I have been doing a stable ful l-time job for decades so far. Some pursue alcohol, some eat, and some are romantic love. I have worked enough to die for the last two years and have almost no precious "mental health day" and vacation. At one point, the paid vacation was digested, and my boss had to confirm that I was resting two days a month. Can you imagine? I sometimes go to work instead of thinking on the weekend. At least during work, you are distracted by being able to feel some differences.

WOLF BLOOD Share 2nd LP Ahead of Chicago Doomed & Stoned Fest!

~Doomed & amp; Stoned debut~

Unknown rubble leads to melancholy, increasing melancholy.

I just want to sleep on weekends recently. It's okay during work. I'm in the zone. There is a purpose. Things make sense. I need it. When I am at home, I always have a toDo list, but no matter how busy I try to be, I am lonely and evil. It's painful to be alive. I have no choice but to express it. So I go into bed early, sleep, sleep and sleep without borrowing melatonin. He just wants to start a new start, hoping that he forgets to sleep, wakes up the next day, and all the oppressive emotions of the darkness are leaving. Nine hours, 10 hours, or 12 hours are not unprecedented, and when you wake up, you want to curse. I've been sleeping so much since I was a teenager.

At least a part of my depression seems to be related to sunlight. It's almost OK while the sun is out. When taking the medicine, I feel like I was obsessed with the purpose, I was busy with 12 various projects, built a network with bands, label records, PR representatives around the world, and checked new files. , Edit the submits from the team, and sometimes squeeze the nerves of writing their own album reviews. However, when the sun sinks and the darkness comes, and the landscape begins to swim in the threatening shadow, everything changes. If you read this sentence, I want you to keep in mind that I have been doing a stable ful l-time job for decades so far. Some pursue alcohol, some eat, and some are romantic love. I have worked enough to die for the last two years and have almost no precious "mental health day" and vacation. At one point, the paid vacation was digested, and my boss had to confirm that I was resting two days a month. Can you imagine? I sometimes go to work instead of thinking on the weekend. At least during work, you are distracted by being able to feel some differences.

I don't feel like a life that wants to die or wants to cry about how bad my inside is.

Unknown rubble leads to melancholy, increasing melancholy.

I just want to sleep on weekends recently. It's okay during work. I'm in the zone. There is a purpose. Things make sense. I need it. When I am at home, I always have a toDo list, but no matter how busy I try to be, I am lonely and evil. It's painful to be alive. I have no choice but to express it. So I go into bed early, sleep, sleep and sleep without borrowing melatonin. He just wants to start a new start, hoping that he forgets to sleep, wakes up the next day, and all the oppressive emotions of the darkness are leaving. Nine hours, 10 hours, or 12 hours are not unprecedented, and when you wake up, you want to curse. I've been sleeping so much since I was a teenager.

At least a part of my depression seems to be related to sunlight. It's almost OK while the sun is out. When taking the medicine, I feel like I was obsessed with the purpose, I was busy with 12 various projects, built a network with bands, label records, PR representatives around the world, and checked new files. , Edit the submits from the team, and sometimes squeeze the nerves of writing their own album reviews. However, when the sun sinks and the darkness comes, and the landscape begins to swim in the threatening shadow, everything changes.

In the middle of winter, there is an existing fear of attacking me as the sun sets. Almost primitive. There seems to be no reasonable basis for feeling like this. Unless it affects any code that has been passed down in the evolved programming of a reptile brain for thousands of years. It controls the reaction of racing or escape, that is, the desire to empty or escape from hell.

Solitude is not a conflicting field.

I looked at myself, screamed and died, and died.

The jargon of this fear implies what will happen when the action mechanism is no longer functioning. In my case, it was a burn. When I worked, worked, worked, worked, and returned home, I was locked at night and weekends.

Mount Soma Reveal Powerful New Sounds of ‘Nirodha’

~Doomed & amp; Stoned debut~

It is important to believe that suicide believes in pharmaceutical, chemtrail, underwater fluorine, dismantling, and conspiracy theory linked to government secret work, but it is important to recognize that suicide is not unique to our lives and times. We have more specific focus to musicians and other artists, and we have many depression cases. Think of Beethoven, Franz, and Tchaikovsky. Three people have pioneered many of the music languages ​​used by Doom Metal for expression. He experienced a lon g-term depressing time for various reasons, from physical illnesses and sadness due to loss to unrelated love and rejection from society. Peter Iriichi Tchaikovsky is definitely dead with his hands. < SPAN> There is an existing fear of attacking me as the sun goes down in the middle of winter. Almost primitive. There seems to be no reasonable basis for feeling like this. Unless it affects any code that has been passed down in the evolved programming of a reptile brain for thousands of years. It controls the reaction of racing or escape, that is, the desire to empty or escape from hell.

Solitude is not a conflicting field.

I looked at myself, screamed and died, and died.

The jargon of this fear implies what will happen when the action mechanism is no longer functioning. In my case, it was a burn. When I worked, worked, worked, worked, and returned home, I was locked at night and weekends.

In recent years, the death caused by depression has continued in the heavy music world. It looks like a creative personal curse. Chris Cornell of Sound Garden, Linda Nigren from Wounded Kings. The record of the metal states the death of dozens of artists as "not applicable", but I always wonder. Even overdose of accidental drugs can explain the fundamental cause of depression. It is often difficult to solve poisoning because of the need to escape from acute emotional pain.

It is important to believe that suicide believes in pharmaceutical, chemtrail, underwater fluorine, dismantling, and conspiracy theory linked to government secret work, but it is important to recognize that suicide is not unique to our lives and times. We have more specific focus to musicians and other artists, and we have many depression cases. Think of Beethoven, Franz, and Tchaikovsky. Three people have pioneered many of the music languages ​​used by Doom Metal for expression. He experienced a lon g-term depressing time for various reasons, from physical illnesses and sadness due to loss to unrelated love and rejection from society. Peter Iriichi Tchaikovsky is definitely dead with his hands. In the middle of winter, there is an existing fear of attacking me as the sun sets. Almost primitive. There seems to be no reasonable basis for feeling like this. Unless it affects any code that has been passed down in the evolved programming of a reptile brain for thousands of years. It controls the reaction of racing or escape, that is, the desire to empty or escape from hell.

Solitude is not a conflicting field.

I looked at myself, screamed and died, and died.

The jargon of this fear implies what will happen when the action mechanism is no longer functioning. In my case, it was a burn. When I worked, worked, worked, worked, and returned home, I was locked at night and weekends.

In recent years, the death caused by depression has continued in the heavy music world. It looks like a creative personal curse. Chris Cornell of Sound Garden, Linda Nigren from Wounded Kings. The record of the metal states the death of dozens of artists as "not applicable", but I always wonder. Even overdose of accidental drugs can explain the fundamental cause of depression. It is often difficult to solve poisoning because of the need to escape from acute emotional pain.

It is important to believe that suicide believes in pharmaceutical, chemtrail, underwater fluorine, dismantling, and conspiracy theory linked to government secret work, but it is important to recognize that suicide is not unique to our lives and times. We have more specific focus to musicians and other artists, and we have many depression cases. Think of Beethoven, Franz, and Tchaikovsky. Three people have pioneered many of the music languages ​​used by Doom Metal for expression. He experienced a lon g-term depressing time for various reasons, from physical illnesses and sadness due to loss to unrelated love and rejection from society. Peter Iriichi Tchaikovsky has definitely died in his hand.

It may come as no surprise to you that many of us (though certainly not all) who are associated with doom metal are also at risk for suicide. A recently published Manchester University study found a correlation, though not causation, between membership in an "alternative subculture" and "risk of self-harm and suicide." No firm conclusions were drawn from the paper, other than to point out that there are problems (no pun intended) and that more long-term studies are needed.

I have an idea why heavy music attracts heavy-hearted people. We are drawn to the mysterious persuasive power of doom, which reconciles our emotions, from lyrics that speak honestly to our grief to the comfort of sharing a common bond with others who are on a similar path.

But sometimes depression gets so bad that we don't even want to go out to our favorite bands on the weekend. Before I dig deeper into my own story and how I deal with depression, some of you may be wondering why I decided to write this and share it publicly. I can assure you that I have nothing to gain from it. I'm not crying for help (I'm too stubborn to ask for help when I need it anyway) and I'm not trying to sell you anything. Honestly, I'm not a fan of this piece (currently at 53. I re-read it when my blues are at their worst. It acts as a kind of release valve for me, and it gives me at least some relief, so I'll keep putting words on this page. So before you assume this is just depression porn, stay tuned. There's actually more to this story, and it also contains valuable insights I'm learning to constructively deal with my depression and its underlying causes (physical and psychological).

Continued

Sit here and write it down on paper Think of words I can't ignore See the rings I've been waiting for Doomed & Stoned debut

Let's just say this isn't what I expected... and that's a good thing these days. It takes a lot to stand out in the burgeoning field of stoner rock. How do you make your sound stand out? Synthesizers. On this eponymous album by Cleveland rockers MOLLO RILLA, synthesizers make all the difference. Opener "Ego" evoked the kind of place in the Los Angeles underground in Blade Runner where replicants go to party.

Simeon Rupur's keyboard is sometimes outrageous ("NECTAR), sometimes an eerie sound (" Nightmare "), and sometimes the heyboard in the 60's, 70s, and the early 1980s (" GHETTO GHOUL ") Reminiscent of. Of course, the bounce rhythm section (bassist Austin Adams and drummer Ben Kaningham are working like a clock), riff game (guitarist Marco Chioofani), and very nice vocal (frontman) Without Marco, the back is Simeon and Austin, such a sound will not hold. This is a band you want to watch live, and it may be a good idea to take a skeptical friend. Moro Lira must be able to beat them.

If you are a bluesy, cheeky deser t-style Stoner Rock fan like KYUSS and QOTSA, you will find a lot of charm in this work, regardless of the synth (first listen to "Holy Water". Next, please listen to "End Times Preacher" and "Pyramids" and "Odyssey"). The band is as comfortable in the shoegazer and psychedelic world (for example, a dreamy "ASCENSION" is perfect for Nirvana's "Big Long Now".

For example, a narcotic slow dance that is likely to be used for movie soundtracks. This song feels like a regression to a classic 50's enthusiast, and I'm glad that this style is becoming more and more popular in modern heavy music.

Today, DOOMED & AMP; amp; StoneD will send a pr e-audition of "Mollo Rilla" (2019) to be released on May 3 from Seeing Red Records on an analog board and digital board (here).

Moro Rila is a rock band formed in 2017 by men who left other bands. Their main mission is the freedom of music and the best rock music. They enjoy combining other styles with American rock rhythms, such as Latin guitars and disco. They write about freedom, imagination, religion, and of course love.

Members are Marco Siofani (vocals, lead guitar), Simeon Rupur (guitar, backup vocal), Austin Adams (bass, backup vocal), and Ben Kaningham (drum). From Ohio, they grew up in Gag a-gun, located east of Cleveland. In their simple childhood, they appear in the lyrics, both drinking beer with friends, driving on the country road.

Moro Rila has a difficult fusion of various styles in the category of rock and roll, creating a sound comparable to one of the many works of Stone Age Queen, Muse, or Jack White. This is a general expression, trying to make the contents a little, but this album is much more complicated.

The impact of QOTSA can be seen immediately, but it is also hidden in something that is more delicate or used modestly. Marco's vocals are reminiscent of my favorite singer, Dachs Riggs (Agents of Oblivion, Deadboy, Elephantman), but doesn't hear the music that Dachs has pursued so far.

Also, this album is firmly in the "rock" category rather than "metal", but all Moro Rila's songs have a dark atmosphere in some way. A more "garage rock" atmosphere reminiscent of the MC5, a broken legend of Detroit City Rock, and may be due to the use of the keyboard, but the impact of deep purple is deeply influenced. There is also a flash.

This album is just a journey, not all songs, but the band really created an album. It is a true album with many of their 70's influence. There should be something on this album, whether you're a Stone Duom, Garage Rock, or hard rockin roll.

From Yulia Hemp to more modern Imperial State Electric (or nickke's band fans), you will be able to find fun on this album. This band will attract many fans, and I think that the balance of its excellent style will appeal to both metal and rock fans.

Duem & Stone Debut

And expired ... I have to breathe unconsciously through most of the Ulf Brad's album II (2019), a duo of Minneapolis, a duo and a duo. This is particularly noticeable in the second half of the album, and the drama level rises to match the complex interaction between rhythm and riff.

When I found it with their debut album in 2014, I had forgotten to listen to a band that sent a tough song called "Witch" many years ago. As expected, their live performance encouraged the Dalus Home Glowon Music Festival in Krun:

"Wolfs Brad is really violent. Brutal is a Smack Y u-Face Loud Rock and Roll, the amplifier spouts, fills the house, breaks the glass, and breaks the party. It's like Brutal.

Of course, we don't know what will happen with a simple explanation alone. Mindy Johnson (guitar), Adam Lucinsky (bass), or Jacob Paul Slad (drums) reminds the vocals and the vocals reminds me of the shroud eater and Kiresa. Sometimes you may be dissatisfied with Palberer ("Story of A Drowning Man"). Be careful when they play the harmony ("SLAUGHTERHOUSE")! Alice in Chains may be bubbled recently.

On the other hand, an enthusiastic accompaniment (Mike Messina joins Mindy's guitar, and Adam and Jake summarize the rhythm section) reminds me of the intensity of hig h-on fire in songs like "OPIUM". However, you can dance in a rough wave like "TSUNAMI", or take a dreamy psychedelic journey. There is a moment when the music is dancing ("Kumate"), and it looks like an atomic bitch wax desperate live. If you are expecting a window hand clone, hit others. Wolf Blood is another kind of beast, although it touches the core.

Today, Doomed & Amp; StoneD has released all the band's second album songs. The album can be purchased on June 1 at the Chicago DOOMED & AMP; Stoned Festival featuring Ulf Brad this year. This album can be purchased at DOOMED & AMP; STONED Festival held in Chicago on June 1st.

When I asked for a comment, the band answered:

"This album was recorded by Rich Matson, a rock musician in Minnesota in a remarkable forest in the Iron range in northern Minnesota. With the addition of Lucinsky, the composition became more c o-work, and the band rushed in a new direction and the inner conflict we had and the suffering associated with it. Increased.

Gitariist Mike Messina and drummer Jake Paul Slad (Dirty Horse / Dads Acid) were formed in a recorded cold winter in Dalos, Minnesota, and seems to be a stone in metal. ・ I started writing a psychedelic sludge experimental song that is too dangerous for rock. They use the famous hardcore guitar witch, Mindy Johnson (The Keep Away's) and Maji Roots Bassist, Brian Wells (Dirty Horse), polished threatening sounds. ・ Brad breathed back. Recently, Adam Lucinsky has taken over Brian to become a band bassist.

Minneapolis doomers Wolf Blood are streaming their emotive sophomore album, II (2019), through Doomed & Stoned ahead of its digital release on May 1st. The album will also be released on a limited run of 250 blue, magenta and black A/B mixed vinyl.

The album is the band's second vinyl release following the well-received Wolf Blood (2014) and will be released to coincide with the band's appearance at the Doomed & Stoned Festival in Chicago on June 1st.

Doomed & Stoned Debut

Around two years ago, I received a message from the one and only Mike Scheidt of Yob. Although we live in the same city, Mike doesn't message me every day, as he often travels around the world for his faith and mission of enlightenment. As you can imagine, I was pretty enthusiastic and more than a little curious. “Billy, check out this band.” As I clicked on the link, I remembered another time Mike had recommended a band to me, the first time.

The landing page was for MOUNT SOMA and their debut EP, Origins (2016). The spacey, psychedelic opening of “Nebula” followed by soft, grainy vocals seemed somewhat dreamy at first. I wondered when “Awesome” would start. And then the full weight of Mount Soma responded. By the time we got to “Lazarus,” I was converted. The emotional power of this track, with its teeth-gnashing anxiety reminiscent of Chevelle and its strong commitment to slow and low, remains unforgettable.

A few weeks ago, I received an email from the band informing me that a second EP was in the works, and I asked to see it and interview the band. But there's a bittersweet sense of unease among the four members - Brian Killoran (guitar, vocals), Keith Walsh (lead guitar), Conrad Coyle (bass, backing vocals) and Aaron Carroll (drums) - that this album may be their last.

Mount Soma, formed in 2014, began working in Dublin, and one of their first works is included in NIRODHA (2019). The crusher on the magnificent canvas, which was expected from electric wizards and Slomatics, is exactly the accuracy of tight rhythms, a lean bass, and a laser. I'm serious. Brian Kirolan's sincere singing (the singer of the aforementioned band is closer to Hollow Leg and Egypt), and it was a very compelling opening.